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Take It To “The Bridge”

by Greg Randolph

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http://preferredmode.com/tag/jamis/ The Bridge (Wednesday nights, 7 pm) is the latest crime drama to charge out of the FX network stables. It stars Diane Kruger as aasperger-ish, issue-laden, El Paso detective Sonya Cross and Demián Bichir as freshly-vasectomied, Chihuahua detective Marco Ruiz. Cross and Ruiz form an unlikely dynamic duo while investigating serial killings along the Texas-Mexico border, the first of which we’re exposed to is a Texas judge whose body is left on the border line of The Bridge of the Americas (see what they did there?).

Annabeth Gish also stars (probably best known as Special Agent Monica Reyes on the post-shark jump X-Files). She discovers her late husband has kept a few secrets from her, the most sinister of which appears to be behind a pad locked door in a remote area of their ranch. We aren’t shown what’s inside yet, but if I had to venture a guess, I’d have to go with either Sloth or a mammoth collection of bestiality-type porn.

The car that the diabolical antagonist uses to drop off the body in the opening scene is traced back to has-been reporter Daniel Frye (Matthew Lillard), who ends up getting trapped inside said car with a bomb rigged to a cell phone timer. The detectives then receive a message from possibly Jigsaw, stating, “We’ve got some interesting times ahead.”

I hope you’re right serial killer.
I hope you’re right.

This was a solid pilot with some good twists and turns. There’s also a great scene at Detective Ruiz’ captain’s palatial estate (complete with big cats) that alone merits a look.

I give The Bridge 4 rico pan dulces out of 5.

Greg “El Cucuy” Randolph

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Pacific Rim Brulee

by Travis

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In the near future, mankind will be invaded by way of a rift between worlds in the middle of the ocean. And so the war for the survival of mankind begins in “Pacific Rim”, a movie that I believe could easily be one of the best movies that no one went to see. ↓ Read the rest of this entry…

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Bioshock Infinite Review

by Darrel Troxel

It’s been about three months (at the time of this writing) since the game had been released. Bioshock Infinite was released on March 26th 2013. On March 27th, 2013, the seed of obsession began to germinate.

 

I had been seeing the commercials on TV and hearing from twitter how amazing Bioshock Infinite is. My initial thought was “yeah, that looks like a neat game but… I don’t know…”. My hesitation was based purely on the cost of the game, as well as my perception that the game was only available on consoles. I currently own 2 consoles, a Wii (for Netflix), and a NES/SNES clone. This should give you a good idea of my “gamer” street cred. I am a gamer, there’s no doubt about that; but I carefully choose the games I’d like to play, because they are wallet draining. Fine, I’m cheap! There I said it, now I don’t have to pay a therapist. Score!

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↓ Read the rest of this entry…

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Star Trek Into Darkness: A Trekkie’s Review

by Keith Orozco
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I will say first and for the record that this review doesn’t contain spoilers per se but I do allude to elements that might have been intended to be surprises. But since the Internet had already ruined that because it was released in Europe and Mexico before the US (Mexico?!), I have no trouble talking it about it now.
When it was announced that JJ Abrams and his Bad Robot team would be going to work to make a sequel to their 2009 take on Star Trek, fans immediately speculated, even begged, that the next movie would feature their favorite villain, Khan. But writers Robert Orzi, Alex Kurtzman and Damon Lindelof argued that their intention of creating a “new” Trek franchise (that takes place in an altered version of what’s been seen on TV but with the same beloved characters) was to be able to tell brand new interesting stories. Then again, when asked if the new movie was going to be a 3D spectacle, JJ Abrams said that he wouldn’t make a 3D movie just because it has become the popular format for big-budget blockbusters.
So here it is; Star Trek Into Darkness filmed in IMAX 3D and… well…
The story revolves around the capture of a terrorist named “John Harrison,” a 300 year old genetically enhanced man with great intelligence, strength and agility who was being used by a secret government organization. While hunting him down, James T. Kirk, still wet-behind-the-ears as a starship captain, must learn to balance his duty to ship and crew with his gung-ho attitude. Spock must balance his by-the-book, logical Vulcan side with his emotional human side and eventually, together, become to cohesive whole Trekkies have come to know and love from TV. But try as they might not everything goes according to plan. It is after all “Harrison” who has caused this chain of events and he’s not who Kirk thinks he is. Despite what some may know from the original story the events that transpire here aren’t exactly as fans remember. But then a certain scene comes along that makes you realize all too soon you’ve seen it before… complete with parts of the same dialog… and it fails to produce the desired emotional response. With multiple climactic endings (and yes it could have ended several times) you don’t know how its going to end. But this is Star Trek after all so you know how it’s going to end.
Chris Pine (Kirk) and Zachary Quinto (Spock) and the rest of the actors playing the Enterprise return to give us that sense of brotherhood of the original characters but they are really only playing the personalities that have become iconic for Star Trek. It’s really only Pine and Quinto who have a chance to do any real acting here and both do very well. Benedict Cumberbatch plays “John Harrison” and is only half as effective as say… a certain Latin actor who played the same character years ago. And although Doctor Carol “Wallace” Marcus is thrown in as a mere plot device, Alice Eve is very watchable and makes this new crew member as interesting as possible.
As a trekkie I’d like to give this movie a higher score just because it’s Star Trek but I can’t get past the fact that this story has been told before. Yes, its an “alternate” reality and the events have been changed overall. But I suppose this is no different than any number of comic book movies who retell the origin myth of a superhero and use a popular storyline only to make changes to it for the big screen. I also saw this movie with a mix of people; some of them vaguely remember the original story and some had very little information about Star Trek to begin with and it seems that overall they enjoyed it. Therefore I have to take into account that this is a Star Trek for the general masses and it really does work overall. On a scale of 1-10, I give Star Trek Into Darkness… a 7.
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Jurassic Park: Book vs. Film

by Keith Orozco

 With the release this weekend (May 9th) of Jurassic Park in 3D I thought it was time as “the book guy” to compare the original book byMichael Chrichton to the 1993 film. I chose to re-watch the original since I argue the need to see movies done for 3D effect. Movies are meant for escapism and since I already see the world in 3D I don’t need to escape into those same dimensions.

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   Now we all know you can’t capture every element of a book when that book is made into a movie. There’s not only time constraints to consider but changes get made in the narration to better move the story along, and occasionally there are changes in character development. In the case of Jurassic Park the movie is better served from those changes.

 

 

   There are subtle differences in some characterization that really don’t need to be mentioned  but the exist. And there are a few recognizable pieces of dialog in the book that end up being said by different people and at different points in the movie. Two of the most glaring differences in character are: 1) Dr Ian Malcom (Jeff Goldblum in the movie) is a bigger ass in the book as he drones on for pages over-explaining chaos theory until it becomes pages of “I-told-you-so” speeches. And 2) even though the ages of the grandkids are reverse and Lex (played in the movie by Ariana Richards) is a younger girl, she does little more than whine and complain. I ended up rooting for a dinosaur, any dinosaur, even the herbivores, to kill them off and have done with it.

     As a book Jurassic Park reads as one-half science report on how one might go about bringing back the dinosaurs and one-half adventure novel. The two mingle together so awkwardly it makes me want slap Michael Chrichton with a copy of the book (were he still alive). I know that he was a doctor and a scientist but he was also a screen writer and movie director. So you’d think that he would understand the idea of pacing and not want break up the book with pages of written DNA codes, graphs, charts and lines of computer coding. Did he think he needed to prove how smart he was? Or did he just feel it was acceptable to let his readers’ eyes glaze over in boredom as mine did?

   As a movie however (with which he shares a writing credit with David Koepp), the audience is given just enough of the scientific background to make you understand how the creation of the theme park came about. It also allowed us to “visit” the park along with the characters and wonder at the sights; a feeling you don’t get from the book. There’s also a larger sense of immediacy and danger once the dinosaurs get loose than there is in the novel. I have no doubt that this has more to do with Steven Speilberg’s ability to tell a story than Crichton’s.

   I’ll admit, this was my first time reading the book and I know people will argue my opinion is biased because I saw the movie first, I really don’t think it made a difference. Some of the book is still fun to read, if only the get caught up in the idea that someone thought recreating dinosaurs was possible. But because of the mere structure of the novel this is a case when the movie far exceeds the book. Still… remembering how bad Jurassic Park II was i’m confident that I’ll never want to read The Lost World.

Keith O

Newman

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